
A working gallery of everything else — weddings, live sport, restaurant and studio work, brand spots, and commercial video. Added to as we shoot.
The other pages on this site are each one client, one engagement, one set of deliverables. This one is not. It collects the work that never became a case study — a wedding out at a state park, a sideline, a restaurant shot around service, an afternoon of portraits, a car — and it exists because that work is most of what a production studio actually does in a year.
The weddings are documentary: the couple in the last of the light, the rings, an hour under the pines. The sport is available light and a long lens — a sideline, and a volleyball arena where the whole frame is one player above the net — and nothing there repeats or waits for a second take. The restaurant frames — the tablescape, the plated dish, the sushi counter, the kitchen mid-service, the bar — were shot around service rather than in place of it, which is the only way a working kitchen will have you.
The rest is the studio itself: the floor, the cyc wall, the lighting being set, the colour suite, the control room, the edit bay. Those are here deliberately. A production company that shows only its finished cuts is asking to be judged on the polish; showing the room and the crew is how you show the part that decides whether the polish was any good.
- Shot
- 2025–2026
- Films
- 0
- Frames
- 30
30 frames.































