Wedding videography in Lincoln.
Documentary coverage of the day, cut into one editorial highlight film — video only, no stills. Want photography from the same session too? There's a bundle for that.
A wedding is booked as a single engagement.
Everything else this studio sells is priced individually too, deliverable by deliverable. A wedding is no different in that sense — what’s different is the shape of it: one date, once, with nothing to spread across a month. So it is quoted as a single engagement, from $1,500 for the film alone. Documentary-style video coverage, cut into an editorial highlight film — video only, no stills.
Want photography from the same session too, shot by the same crew rather than a second one competing for position? See wedding video + photography, from $2,800.
The editorial highlight film.
One film, 57 sec long. That length is a decision, not a constraint: a highlight film is the piece that gets watched more than once and gets sent to people who were not there, and both of those stop happening somewhere past a minute. Everything that survives the cut has to earn its place against the frame beside it.
The film above is built the way the day runs. It opens on the details in the quiet before anything starts — the bouquet against a window, the dress. It carries the couple through the venue and out onto the hilltop for the portrait window, which at Mahoney in April means bare trees, low sun and the river behind them. It closes on the rings. Graded warm, no captions, no lower thirds, cut to one piece of music.
- Runtime
- 57 sec
- Format
- Landscape, 16:9
- Shot
- April 2026 · Mahoney State Park, Ashland
- Booked as
- Wedding Video Coverage, from $1,500
This shoot is on the record with every other one — it is pin 03 on the Field Map of everywhere the studio has shot.
A vertical cut, for the phone it gets watched on.
A wedding film is almost entirely faces and hands, and a wide frame puts those near its edges — which is precisely what a phone crop throws away. Two people leaning towards each other from opposite sides of a 16:9 shot become one person and an elbow. So the highlight film is reframed shot by shot into a vertical cut, by hand, rather than centred by an export setting that cannot tell which half matters.
It is the version that actually travels: the one sent to relatives who could not fly in, and the one that gets watched on the walk back from the car. Cut from the same graded master as the landscape film, so the two match, and included in the engagement rather than billed as its own line — a wedding is quoted whole, not assembled deliverable by deliverable.
- Format
- Vertical, 9:16
- Cut from
- The same graded footage as the film
- Priced
- Inside the engagement, not billed separately
- Published example
- None yet — see below
No vertical wedding cut is published yet, so there is nothing here to show rather than something borrowed. For the format itself, the studio’s longest published vertical is a 1:06 commercial cut on the Latitude Lincoln page — an apartment ad, not a wedding, and worth saying plainly.
What else we shoot in Lincoln.
Every deliverable above is on one menu, and the same work is bought either as a monthly retainer or as a single engagement — see the full deliverable menu and what each package costs.